Download book Exeter Performance Studies: The Censorship of British Drama, 1900-1968 Vol. 4 : The Sixties by Steve Nicholson DOC, DJV
9780859898461 0859898466 The 1960s was a significant decade in social and political spheres in Britain, especially in the theatre. As certainties shifted and social divisions widened, a new generation of theatre makers arrived, ready to sweep away yesterday's conventions and challenge the establishment. Focusing on plays we know, plays we have forgotten, and plays which were silenced forever, this book demonstrates the extent to which censorship shaped the theatre voices of the decade. The concluding part of Steve Nicholson's four-volume analysis of British theatre censorship from 1900 until 1968, previously undocumented material from the Lord Chamberlain's Correspondence Archives in the British Library and the Royal archives at Windsor are examined to describe the political and cultural implications of a powerful elite exerting pressure in an attempt to preserve the veneer of a polite, unquestioning society., This concluding volume in Steve Nicholson's history of British theatre censorship under the Lord Chamberlain traces the key debates and conflicts from the beginning of the decade through until September 1968, when his rule ended. Book jacket., This volume is the fourth and final part of Steve Nicholson s analysis of British theater censorship based on previously undocumented material in the Lord Chamberlain s Correspondence Archives in the British Library and the Royal Archives at Windsor. The 1960s was a significant decade for the British, both in social and political spheres, especially in theaters. As certainties shifted and social divisions widened, a new generation of theater makers arrived, ready to sweep away yesterday s conventions and challenge the establishment. Focusing on plays we know, plays we have forgotten, and plays that were silenced forever, this book reveals how a powerful elite exerted pressure over these new voices in an attempt to preserve the veneer of a polite, unquestioning society."
9780859898461 0859898466 The 1960s was a significant decade in social and political spheres in Britain, especially in the theatre. As certainties shifted and social divisions widened, a new generation of theatre makers arrived, ready to sweep away yesterday's conventions and challenge the establishment. Focusing on plays we know, plays we have forgotten, and plays which were silenced forever, this book demonstrates the extent to which censorship shaped the theatre voices of the decade. The concluding part of Steve Nicholson's four-volume analysis of British theatre censorship from 1900 until 1968, previously undocumented material from the Lord Chamberlain's Correspondence Archives in the British Library and the Royal archives at Windsor are examined to describe the political and cultural implications of a powerful elite exerting pressure in an attempt to preserve the veneer of a polite, unquestioning society., This concluding volume in Steve Nicholson's history of British theatre censorship under the Lord Chamberlain traces the key debates and conflicts from the beginning of the decade through until September 1968, when his rule ended. Book jacket., This volume is the fourth and final part of Steve Nicholson s analysis of British theater censorship based on previously undocumented material in the Lord Chamberlain s Correspondence Archives in the British Library and the Royal Archives at Windsor. The 1960s was a significant decade for the British, both in social and political spheres, especially in theaters. As certainties shifted and social divisions widened, a new generation of theater makers arrived, ready to sweep away yesterday s conventions and challenge the establishment. Focusing on plays we know, plays we have forgotten, and plays that were silenced forever, this book reveals how a powerful elite exerted pressure over these new voices in an attempt to preserve the veneer of a polite, unquestioning society."